Actually there is a link – sort of. SF appeals to non-conformists and people who aren’t 100% comfortable with mainstream society. Of course there are 1001 ways to not conform, and most of them are completely harmless, but the police don’t see those people professionally, do they?
Being on the receiving end of bigotry feels horrid, I know, but we do have the option of leaving our books and laptops at home. Spare a thought for the people who can’t leave their skin colour at home when they travel, or go for a job interview, or just pop to the shops.
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Cryoburn by Lois McMaster Bujold, Reviewed: Cryoburn is the latest Miles Vorkosigan novel, the thirteenth in a series stretching back a quarter of a century.
Miles is now an Imperial Auditor with responsibility for investigating a company specializing in cryogenic storage that are planning on opening branches on Komarr.
Miles becomes suspicious and travels to Kibou-daini, a world dominated by a populace who
Sales: Cover for Damage Time by Chris Moore
You can tell the authors at conventions. You just have to listen in. While the fans are likely as not to be talking what brilliant book they’ve read, or what film they’ve seen; the writers will be talking about money.*
Because their incomes can be so precarious, and like any
Magma: I’ve said many times –in many places– that I don’t write because I want to, I write because I have to. It’s a compulsion, which if it’s blocked off, leads to something close to clinical depression (my name is Colin, and I am a creative junkie….)
Ever since I ended a particularly brutal bout of writing
Black Static 23 Reviewed: Black Static for June / July 2011 contains the usual reviews and commentary, while the stories are mostly by returning regulars.
V. H. Leslie appears for the second time in three issues, and already looks to be the magazine’s most prominent newcomer of the year. In ‘Time Keeping’ Howard believes that he keeps time running smoothly.
End Games: People are always talking about the openings of stories. It’s an often quoted truism -especially by me!- that the first dozen lines of a story are critical. They are the unsolicited writer’s escape from the slush pile, or the path to a sometimes bewildered rejection. For the story that has been sold, a poor opening
Very disturbing indeed.
Actually there is a link – sort of. SF appeals to non-conformists and people who aren’t 100% comfortable with mainstream society. Of course there are 1001 ways to not conform, and most of them are completely harmless, but the police don’t see those people professionally, do they?
Being on the receiving end of bigotry feels horrid, I know, but we do have the option of leaving our books and laptops at home. Spare a thought for the people who can’t leave their skin colour at home when they travel, or go for a job interview, or just pop to the shops.