Colin Harvey – author

The Science Fiction Writers of America have announced the winners and runners-up for the 2010 Nebula Awards:

Best Novel: Blackout/All Clear by Connie Willis (Spectra)

Runners Up:
The Native Star by M.K. Hobson (Spectra)
The Hundred Thousand Kingdoms by N.K. Jemisin (Orbit UK; Orbit US)
Shades of Milk and Honey by Mary Robinette Kowal (Tor)
Echo by Jack McDevitt (Ace)
Who Fears Death by Nnedi Okorafor (DAW)

Best Novella:

“The Lady Who Plucked Red Flowers Beneath the Queen’s Window”

by Rachel Swirsky (Subterranean Summer ’10)

Runners Up:
The Alchemist by Paolo Bacigalupi (Audible; Subterranean)
“Iron Shoes” by J. Kathleen Cheney (Alembical 2)
The Lifecycle of Software Objects by Ted Chiang (Subterranean)
“The Sultan of the Clouds” by Geoffrey A. Landis (Asimov’s 9/10)
“Ghosts Doing the Orange Dance” by Paul Park (F&SF 1-2/10)

Best Novelette:

“That Leviathan Whom Thou Hast Made” by Eric James Stone (Analog 9/10)

Runners Up:
“Map of Seventeen” by Christopher Barzak (The Beastly Bride)
“The Jaguar House by in Shadow” by Aliette de Bodard (Asimov’s 7/10)
“The Fortuitous Meeting of Gerard van Oost and Oludara” by Christopher Kastensmidt (Realms of Fantasy 4/10)
“Plus or Minus” by James Patrick Kelly (Asimov’s 12/10)
“Pishaach” by Shweta Narayan (The Beastly Bride)
“Stone Wall Truth” by Caroline M. Yoachim (Asimov’s 2/10)

Best Short Story (tie):

“Ponies” by Kij Johnson (Tor.com 1/17/10) &

“How Interesting: A Tiny Man” by Harlan Ellison (Realms of Fantasy 2/10)

Runners up:
“Arvies” by Adam-Troy Castro (Lightspeed 8/10)
“I’m Alive, I Love You, I’ll See You in Reno” by Vylar Kaftan (Lightspeed 6/10)
“The Green Book” by Amal El-Mohtar (Apex 11/1/10)
“Ghosts of New York” by Jennifer Pelland (Dark Faith)
“Conditional Love” by Felicity Shoulders (Asimov’s 1/10)

Ray Bradbury Award: Inception

Runners Up:
Despicable Me
Doctor Who: “Vincent and the Doctor”
How to Train Your Dragon
Scott Pilgrim vs. the World
Toy Story 3

Andre Norton Award: I Shall Wear Midnight by Terry Pratchett (Gollancz; Harper)

Runners Up:
Ship Breaker by Paolo Bacigalupi (Little, Brown)
White Cat by Holly Black (McElderry)
Mockingjay by Suzanne Collins (Scholastic Press; Scholastic UK)
Hereville: How Mirka Got Her Sword by Barry Deutsch (Amulet)
The Boy from Ilysies by Pearl North (Tor Teen)
A Conspiracy of Kings by Megan Whalen Turner (Greenwillow)
Behemoth by Scott Westerfeld (Simon Pulse; Simon & Schuster UK)

There are first Nebula Awards for Rachel Swirsky and Eric James Stone, while Kij Johnson wins a second consecutive Nebula for Best Short Story.

At the other extreme, the Best Novel Award for Connie Willis marks her seventh Nebula, equalling Ursula K. Le Guin’s total, and is Willis’s first in eighteen years, after a fallow decade in the 2000’s. However, her wait for a new award is dwarfed by Harlan Ellison’s, who wins his fourth Nebula for a single work of fiction (as opposed to a Grand Master for a body of work), and his first in thirty-three years.

And the tie for Best Short Story is the Category’s first, the first in any Category in forty-four years, and only the third in Nebula history – the previous two occurred in the first two years of the award’s existence.

In the forty-six years of the Nebula’s history, there have never been five different authors winning Nebulas for specific pieces of fiction (this excludes Bradbury & Andre Norton Awards).

It’s that time of year again when people start to look back, peaking around about December 30th when it’s hard to find a TV programme that isn’t a retrospective (which is a good reason to watch DVDs, or better still to turn the box off).

SF is no exceptions to this, and a couple of sites have already started, running their ‘best of/ the following are eligable for’ lists, while the ToC for Rich Horton’s Years Best has already popped up at SFSignal, which also carries Jonathan Strahan’s ToC. Interesting that they have at least two overlaps, Peter Watts and Elizabeth Hand, while Neil Gaiman has different entries in the two collections.

I already have a heavy reading list, and adding in the reading I’ve already done for the Nebula means that I’m almost ready to cry mercy. I’ve already read a lot of the contenders due to reviewing Asimovs and F & SF for Suite101, but there are a lot of other worthy works and authors out there.

At some point by the 30th, I shall endeavour to post my own list, but meanwhile, what do you think are the best stories and novels of the year?

As I noted over at Suite 101, The Speculative Literature Foundation has announced that its seventh annual Older Writers Grant is to be awarded to Mario Milosevic, for his ‘Untied States of America’ which appeared in Interzone 228. It’s particularly interesting for three reasons:

First, this is the first time since 2007 that I’m familiar with the winning entry, and for all my reservations, it’s a worthy winner.

Secondly, I judge the awards myself in 2007, and it was a tough call then to pick just one winner, so I understand perfectly Malon Edwards comments of  “Honorable Mentions for the Older Writers Grant go to Michele Cashmore, April Grey, Lynne MacLean, Ada Milenkovic Brown, and J.A. Huets for their entertaining submissions, which made the selection of the winner a difficult but enjoyable process.”

Yep, not much has changed there, then.  Come the deadline, there’s usually much tearing of hair. 🙂

Lastly, and most selfishly, in five months time I’ll be eligible for the award myself. Not that I think that I have a prayer of winning it, but I have to have a go…it’s nice to see what benchmark’s been set.

This morning’s blog is a straight list of the 2009 Nebula Award finalists. However, I couldn’t resist posting links to the stories I trumpeted when they first came out, which makes me look profoundly perspicacious. Of course, that ignores the finalists I initially rubbished, as well as all the other stories I backed which never made the final… 🙂

…here.

And said winners are the BSFA Awards, by the way. Just so you know before you click on the link!

I’m still in shock from the news that Killers has been nominated for the British Fantasy Award.

OK, so it may only be one nomination, which is all that’s needed to get it onto the long list, but the fact remains that someone likes it enough to nominate it. For a small press outfit publishing an anthology edited by a relatively new author this is a huge plus. Not just for the publicity, but also for the sense of vindication.  The real honour goes to the writers who made the book, of course.

It doesn’t matter if I don’t win, or get onto the final ballot. It’s a cliche, but being nominated really is an honour.